AI engagement bots like OP.

King has almost always written his stories in the immediate present. There are a few exceptions, but they are intentional and critical to the plot. In all the others, it is fully in keeping with his style to update cultural references to set the story in the recent past, the now, or the very near future. He is a contemporary writer of contemporary stories, that is fundamentally the reason. King also seems to feel no loyalty to preserving his past works. He is alive. His stories are more about the lives of the characters than fashion or pop culture. I’m not always a fan of his revisions either (The Gunslinger being a good example), but it’s part of the total package of his writing philosophy.

At that scale meters and miles are pretty close with respect to orders of magnitude, which is why practically everyone talks about these scales in AUs regardless of what units they actually used to do the science.

A CSV is just a long string of text with a few control characters tossed in for end lines. There are practically no rules enforced by the file type itself. You can dump that unsanitized and poorly awk’d data into whatever awful mess you want. Nobody’s stopping you. Sure, excel will force it’s CSV formatting rules on you when you export like a child’s training wheels. But that’s not relevant here.

It could have been an accident or incident that resulted in a death. They may have been collecting evidence. There are even some police in my area that uses conventional land surveying equipment and rapid high density laser scanners. Precise measurements of things like skids marks and other evidence of how the vehicles came to rest can be used to estimate initial speeds and confirm or refute the testimony of witnesses.

It could also be something more mundane like an actual land surveyor collecting data to support future design work or verify completed projects.

Neither of these are jobs that can be done at night or at times more convenient for your car.

You want mpd to server and play the music, connected with a web front end (there are a few to choose from) accessible on the private store wifi. You should probably serve this frontend only to a certain machine on the network (like the managers computer in the back) and lock everything else out. The last time I ripped CDs on Linux I used whipper, which I believe was the successor to morituri. This is all only legal if the CDs they have already included the licensing fees to play them publicly or are themselves freely licensed. There are sources of freely licensed music out there that you can play publicly without paying.

I use the word pardon because there are lots of local Spanish speakers, tourist/seasonal French Canadian speakers, and occasionally tourists from farther abroad around and I’d rather be understood than pretend everyone speaks English. When speaking to strangers, like when I’m asking forgiveness for being an inconvience to them or trying to politely get someone’s attention, preferring loan words that really don’t need translation in order to be understood just seems like good citizenship and also more kind.

That’s not how TV in the 80s and 90s worked. Most of the TV we watched as kids in the 80s would have been reruns of things in syndication. Millenials born in 82 would have grown up watching reruns of Cheers for their entire childhood and likely have memories of watching even some of the later episodes live.

Can this keep num lock engaged? I swear my biggest frustration with windows lately is it’s habit of randomly and arbitrarily turning off numlock after I’ve turned it on. I never turn off numlock while working. I never use the number pad arrows. I prefer the number pad numbers and use them practically all day. And yet, several times a day I find my cursor moving around the screen instead of typing a number because windows decided that it got to control the numlock function instead of me and the dedicated light up key designed for that function that has worked fine for me for decades before.

That’s not very helpful for connecting family, friends, and especially grandma.

Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.

So edgy.

If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.

I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.

There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.

Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.

This is garbage. What are you on about? It is art as an affection. Style as an algorithm. It’s got no sense of balance or intent. It looks like what it is, a copy that doesn’t actually understand what made the original great.

Conservatives really like the recycling myth because it puts the onus of waste on the individual consumer instead of the corporations actually producing the waste.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.

“pretty easy” is a bit of a stretch

I can tell that this particular port is more or less from the same time as the PS2 ports in the post’s photo because of the color. The standardization of this port happened long before the standardization of colors to indicate the capabilities of said port. We mostly only see this in variously capable USB ports today. If I remember correctly this yellow color would have been used for a joystick or controller of some kind, but there may have been other ports with the same shape and pin configuration that would have different purposes.

It’s not one more day, it’s tomorrow. If it’s already Thursday, then it’s usually already much less than a day till Friday (because we usually sleep through the first quarter of the day). Wednesday night there is only one more day till Friday.

I want the word “unalived” to be killed or murdered in the most vile and explicit way possible for a word.