Until 6 months ago I had 2Mb/s (with a tailwind) DSL that had a consistent 10% packet loss.
I feel I have earned my 2Gb/s fibre!
Until 6 months ago I had 2Mb/s (with a tailwind) DSL that had a consistent 10% packet loss.
I feel I have earned my 2Gb/s fibre!
We used to call it “compression” and itwas an essential part of the recording process. It seems TV shows don’t do that anymore.
I know, but do TV shows to it?
I understand that it dynamic range is necessary and having none is terrible (look up “loudness wars” in the recording industry), but it seems TV shows are no longer mastered for a actual home consumption.
Back in the day, we would work on our nice studio monitors, switch to a pair of NS10s to make sure it would sound good on a cheap Hifi, but we would also make it sound good on something garbage. Sometimes (always in fact) this was to the detriment of how sound on good gear, but 99% of people use garbage.